Critical Hits

The Journal of Gamer Culture

Let’s Talk About Superhero Movies

I know a few people who are getting sick of superhero and comic book movies, and with good reason considering this year’s offering of Thor, X-Men: First Class, Green Lantern, and Captain America to name a few. Back when I was young you could still consider superhero movies to be a new thing, but here in 2011 we have more comic book movies than I could have ever dreamed possible as an adolescent. You’ll notice I use the terms “superhero” and “comic book” interchangeably here, but that is simply for ease of use – rest assured I am well aware of the inherent differences and that there are non-comic book superhero movies and non-superhero comic book movies.

Ever since 1989, when I saw the first Tim Burton Batman movie in theaters at an extremely young age, I have been hooked on superhero movies. Around that same time I became interested in comic books, but it wasn’t until highschool and college that I started actually reading more than single issues of titles like Batman or Uncanny X-Men. Due to this odd mixture of nerducation I have a decently even nostalgia for both the film versions of superheroes and their original, printed inspirations. I know that the Joker didn’t actually kill Bruce Wayne’s parents, but I didn’t know it the first time I saw the movie and still enjoy it even after learning “the truth”. Now when I go to see a movie like Thor or Green Lantern if I’m not already intimately aware of the source material I will take a decent amount of time to educate myself so that I can approach the movie from both perspectives and have a deeper understanding of both what has inspired the movie and also what has changed in order for them to make this material into a movie.

I’m Getting Sick of Origin Stories

When it comes to many superhero movie franchises, you can generally predict that at least 1/4 of the first film is going to be dedicated to the origin story of the main character(s). In some cases, like with the Punisher movie, you can consider the entire film to be origin story. In the case of Punisher, I didn’t mind this so much but I was disappointed that the main actor changed to the second movie which created a disconnect in my mind. The same is true of the Incredible Hulk movies, though I feel Ed Norton did a good job making the change in actor painless, and though the movie effectively retold the origin story briefly at the beginning it wasn’t blatant about it and still treated itself like a good sequel to the first movie. [Read the rest of this article]

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Junk Punch

You have been sucker punched. As a gamer, you’ve been categorized and used as a negative stereotype to illustrate points about terrible movies. Video games and gamers get a bum rap in film criticism. Film critics seem to like to use video games and the people who play them as a culturally understood idiom. This practice makes the critics look as bad as what they might be criticizing.

Roger Ebert, with his starkly ignorant opinion of video games as art, might have brought this mistreatment to a head in popular media. This lack of actual cultural awareness has been around for a long time, however, with film critics decrying just about anything that’s based on a video game or seems gamish. The trend degenerates from there, with critics using the term “video game” to condemn crappy adventure movies, as well as the term “gamer” to refer to insipid consumers of such dreck. This sort of condescension is a refuge only of someone who can’t come up with a meaningful metaphor and, therefore, takes the lazy route of uninformed comparison. [Read the rest of this article]

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RPGs and Fiction: An Interview with Alana Abbott

I have spent the better part of the last three years with my head buried deep in the Forgotten Realms, a game world that lives and breathes at least as deeply through its fiction as through its game products.  My background and education are tied to fiction-writing, first and foremost.  As I become more familiar with the craft of designing games and adventures, the contrast and the synergy between the stuff of games and the stuff of fiction always leaves me pondering: What game design skills carry over from fiction-writing skills, and vice versa?  Can fiction capture the essence of a game system or a game setting, while still working as good fiction?

I have enlisted someone to help me look into those questions.  I first met Alana Abbott while writing adventures for the Living Kingdoms of Kalamar campaign, where she was the campaign’s director.  Even then, before I knew her well, I was impressed with her chops as a writer.  When I heard that she’d written a novel as a tie-in for an RPG game and setting, I was intrigued.  I read that first novel called Into the Reach, and I was taken with how much the characters and the story drew me into that world.  Despite my love of fantasy RPGs, I was never much a fan of fantasy fiction.  The field is no doubt full of talented authors, but the redundancy of the tropes within the genre just didn’t do it for me.

At the time, I was also teaching fiction writing at the college level, so my brain was engaged in a sort of “read and feedback” loop that led me to contact Alana, offer my admiration for the work, as well as providing some (hopefully) constructive criticism.  I was surprised and flattered when Alana suggested to her publisher that I take over as editor for the second novel in the trilogy.  It was a pleasure to do so.

Alana’s talents have been noticed by many others, and her resume speaks for itself.  As long as it is diverse, her list of credits includes the Origins Award-winning supplement Serenity Adventures for the Serenity RPG from Margaret Weis Productions.  She was also the writer for the comic Cowboys and Aliens II.  (A film version of the original Cowboys and Aliens hits theaters soon, starring Harrison Ford and Daniel Craig.)

The first two novels in “The Redemption Trilogy” — Into the Reach and Departure — are available now available as e-books at DriveThruRPG, and they are well worth the read for fans of well-written fantasy literature.  Alana’s vision of the setting, game, and characters is expertly rendered on the page, and I hold the novels up as an example of what can happen when a very talented writer finds a way to turn an RPG into excellent fiction.

I recently got the chance to ask Alana about the intersection of RPGs and fiction, as well as a number of other topics of interest to gamers, fantasy fans, and would-be writers.  I hope you find the results enlightening: [Read the rest of this article]

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Review – Tron: Legacy

I am a particular brand of Tron fanboy because the original movie came out the year before I was born and I wouldn’t really understand much about computers or programming until many years after I had the movie decently memorized. I’ve loved the original movie for pretty much my entire life, even writing about my love affair with the movie and how I can use it to know if I’ll really like someone right away. It should be no surprise that I went to see Tron: Legacy on the day of its release, but I am a bit surprised that we decided to see it in 3d and that it turned out to be a good decision.

Tron: Legacy is a fitting sequel to the original for a handful of reasons, not the least of which is the fact that it makes the idea of fighting each other with frisbees seem really freaking cool again. The movie is an amazing visual and auditory experience that has some of the most entertaining action sequences I’ve seen in the last few years. The only thing that I really missed in the movie was the layer of real world computer references and ‘nerd-insider’ feeling that was pervasive in the original Tron, but in a 2010 world where computers are much more common place I’m not sure this layer is as necessary as it was back in 1982. Tron: Legacy is a mainstream and updated version of the original vision of Tron, but it is also very much a sequel and avoids retelling the exact same story as its predecessor though the structure will feel quite familiar.

Though the visuals and audio are the highlight of the film, the characters are not far behind. Jeff Bridges does a good job of mixing his age with the wit and slacker attitude that he created for Kevin Flynn back in the 80′s as well as playing the younger part of Flynn’s program CLU as a single minded but efficient entity. Garrett Hedlund performs extremely well as Flynn’s son, Sam, and even noticeably attempts to take on an aspect of Jeff Bridge’s personality in several parts of the film. Olivia Wilde is my hands down favorite of the film as the program Quorra, adding a bit of innocent humanity into the still entertaining habits of programs that we saw some of in the original film, while Michael Sheen is a close second for his small but scene-stealing role as the quirky and hilarious program Castor. [Read the rest of this article]

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Movies I Want to See in 2011

Something you may not  know about me if you come to Critical Hits mainly for the RPG content is that I’m a huge movie nerd. In April of this year I posted a look ahead at the big summer movies of 2010 that I was hoping to see, just as I have done for the last four years running. Iron Man 2 came out in the lead this year and it is actually (unfortunately) the only one from the list that I have seen at the moment.

I wrote in that post that I couldn’t include Tron:Legacy because it isn’t a summer movie and I am very thankful that I can finally see it tonight at midnight! On the other hand Inception didn’t even make my list back in April but between then and its release the trailers convinced me it was a must-see, so I saw a midnight showing and promptly wrote a review of it the next morning.

This year is a bit different from the last few because I am already excited to see a ton of movies in 2011 and we’re not even through December yet! Here’s a look at the movies of early 2011 that I’m most excited to see, and a quick description of why I’m excited about it:

The Green Hornet – January 14th
Staring Seth Rogen, directed by Michael Gondry, and has a direct relation to Bruce Lee. Plus it looks pretty funny. Win! (trailer)

Unknown – February 18th
Liam Neeson in what looks like a role similar to the one he played in Taken.  (trailer)

The Adjustment Bureau – March 4th
Matt Damon in a movie based on a Philip K. Dick short story (think Minority Report, Total Recall, and Blade Runner) by the director of the Bourne Ultimatum. (trailer)

Battle: Los Angeles - March 11th
I’m a sucker for alien invasion movies, and this one looks like a better version of Skyline. Also looks along the same lines as Cloverfield or District 9, but possibly with robotic aliens. (trailer) [Read the rest of this article]

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Reel Melee: The Fateful Duel

About a year ago, as I suffered through a sunburn fever in the darkest, sweatiest part of Cabo San Lucas, my perception broke through a red and shuddery haze and tuned into the movie on TV, a swords-and-sandals extravaganza named The Scorpion King, starring several muscular and oily men. As I watched helplessly, I realized there was a certain rhythm to the battles, a swing and parry, a leap and tumble, a slash and dash and crash… a STANDARD and MOVE and MINOR. All at once, I saw that the action in this movie could be broken into pieces and reassembled into something like the Dungeons & Dragons 4E combat rules.

Now, I’d be only too happy to track down The Scorpion King with all of its Dwayne “The Rock” Johnson gloriousness and watch it again and again and again to parse one of its battles, but instead decided to examine a movie that was better known and, presumably, more readily available (hint: if I were you, I’d start by searching online at a site that rhymes with Moo-Doob).

Perhaps you’ve heard of a movie called Star Wars I: The Phantom Menace, which featured the breakout child mega-star Jake Something-Or-Other, who played an annoying little kid who couldn’t act. There was, I admit, quite a lot in Menace to fundamentally despise, but towards the end of the movie, there’s this massively wonderful light saber duel between Obi-Wan Kenobi, Qui-Gon Jinn, and Darth Maul, and which features music that rivals (exceeds?) The Imperial March. I know, I know, blasphemy!

In order to make the melee work, I had to figure out the characters and equipment, and then slowly go insane as I tried to stay within the game rules while determining the powers that I was seeing on the screen. I did everything I could to avoid simply house-ruling everything, though there were, I’m afraid, a few elements where I was forced to do a little tweaking (For example, when Obi-Wan fell to the lower catwalk, what the heck was he doing for all that time that Qui-Gon was fighting Maul? His nails?). [Read the rest of this article]

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Solving The Sith Problem

Anakin Skywalker prepares for a night of extremely mundane sex.

Since the beginning of Galactic history, there has been the Force. Eventually, sentient beings learned to harness its power for the good of all civilization. Those who chose this path were known as Jedi, or “lightbringer”. Approximately fifteen minutes later, a Jedi decided he’d had enough and decided to not only rebel from the teachings of his Jedi master, but to go murder a busload of space nuns as the first step in a mad plot for galactic domination. This phenomenon proved to be uncomfortably common among Jedi, so much that the Jedi Order decided that there were in fact two sides of the Force — the Light Side and the Dark Side. It is not known at this time when the Jedi Order figured out that the Force was comprised of tiny microorganisms known as midichlorians, but experts speculate this occurred when Dark Jedi provided the Jedi Council with many freshly-killed Jedi for study. Allying with and eventually taking over the Sith pirate organization, these Dark Jedi took on cool names starting in Darth, meaning “bad mother watch your mouth I’m just talkin’ about”. Their last names were always chosen in a secret ceremony involving a great deal of alcohol and the ancient Sith incantation “you know what would sound bad ass”?

For hundreds of thousands of years, the Light and the Dark have clashed — spanning several wars and the deaths of billions of innocent bystanders. Both sides took heavy losses. The Light side was eventually weakened and made progressively more stupid to the point where they were hunted down to near-extinction by people who can’t shoot straight. The Dark side seems to have fared better, having been apparently deprived only of any moisturizing skin products. Therefore, I have studied closely the journey of many Dark Jedi down the road of corruption, and I have come to a simple conclusion:

The Jedi are idiots.

Consider, for a moment, a typical Jedi Padawan. They are found as children, and taught to suppress their emotion for fear they will turn to the Dark Side. This means no anger, no fear, and no strong emotional attachments (especially love). So now take this army of the socially and emotionally hamstrung and then arm them with laser swords, superhuman athletic abilities, and the ability to control minds. They are then sent all over the galaxy and placed into incredibly dangerous situations, putting them under an enormous amount of psychological strain, and then forbid them to so much as go on a date or have a BFF. We’re lucky the Star Wars saga isn’t all about The Galactic League of Super-Rapists vs. the (comparatively) heroic Sith.

The Jedi sit and meditate a lot. You’d think they’d have figured out the reason their pupils keep freaking out and going all chokey and shocky is because they’ve been repressed their whole lives. You’d think they’d figure out that perhaps people who haven’t been infected with mystical bacteria, even those in power, frequently do not try to take over the world when their girlfriend breaks up with them. But no, the Jedi Order likes to tell their students tales like “you can’t love anyone because this one time these two Jedi twins loved the same girl, and then they fought, and the whole planet blew up”. What better reason to let your students vent once in awhile than if they are giant bombs powered by repressed emotions? It’s SCIENCE, people.

Fortunately, since the entire Jedi Council was killed for being stupid, starting over will be easy. The new guy wasn’t raised by emotionally-crippling idiots (though he does get a little whiney at times and was trained hastily in a swamp by a Muppet). Let’s make sure new Jedi don’t wind up all screwed up by treating them like regular folk. Let’s let them have families. Sure, they’d be away for long periods of time. Just think of them as truckers who only carry one thing — AWESOME. Seriously, how much different would the prequels have turned out if Anakin hadn’t been denied anything but a secret relationship with Padme (provided they could get past that 20 year age difference)? They’d meet, fall in love, and then when Palpatine started going around spinning lies Anakin would just slice him up and serve him at the Jedi Holiday Banquet. Little known fact: the Jedi are cannibals, but they can only eat meat carved by a lightsaber. That’s why they use them instead of blasters. Do you think they let all that delicious hand-meat go to waste? Mace Windu’s famous Manual Chili begs to differ.

As for the existing Jedi, let’s take them out and get them laid. Let’s take them to a bar, making sure to tell them not to focus on the guy selling death sticks but instead to levitate a drink over to that hot Twi’Lek in the corner. Let’s let them shove their lightsabers into something besides a blast door. Let’s make sure a Light side Jedi never has to Force Choke anything ever again. Or we can get them therapy. But that doesn’t have any good double entendres.

Together, we can save the galaxy – one Jedi’s virginity at a time.

(Photo credit, and apologies to Chris Pirillo. )

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Friday Chat, Early Edition: The Geeky Road Trip

In about 24 hours, I’ll be leaving for the Toronto Fan Expo with my friend PM.  The Expo is Canada’s largest event for Sci-Fi, Horror, Anime and Gaming fans where they get to meet some of their favorite industry personalities and stock up on merch.

So soon after Gen Con and after having been at Ground Zero for Pax East, I’m not sure how to set my expectations for the Fan Expo.  I have no ideas what the show will be like nor what I’ll be doing except game for most of the day on Saturday.

Regardless of what awaits us over there, I still have a 5 hour car trip to plan so I thought I’d reach out and share/ask how the travelling part of the trip should be prepared! [Read the rest of this article]

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The Lord of Troma

This week, I had the pleasure of speaking with Lloyd Kaufman, President and co-founder of Troma entertainment and creator of the Toxic Avenger. I had a lot of nerves going into this – I’ve been a big Troma fan since I was 13 and used to spend every Friday and Saturday night watching horror movies on USA Up All Night.

Things actually started here a bit before my phone interview. I had the privilege of attending Mr.Kaufman’s “Make Your Own Damn Movie” masterclass at Gen Con a few weeks ago, and he was very knowledgeable and willing to answer any questions audience had, but the answers were sometimes surprising. Several people asked what sort of equipment to use, and he would always fire back with some variation on “Depends! How much money do you have? You can get by with consumer-grade equipment.” Then everyone would discuss their shoestring budget success stories and we’d move on. It’s how Troma works. Make your movie the best way you can with what you have. (You can find out way more by buying Lloyd’s book, Make Your Own Damn Movie, Secrets of a Renegade Director!) It was inspiring to see so much enthusiasm and resourcefulness surrounding the making of so called “schlock” movies. I’d find out a little more as to why when I spoke to Lloyd this week.

I started off the interview by asking Lloyd what the word “Troma” meant. He told me a short story about how the word Troma is Latin for “excellence in celluloid”. Having taken 3 years of Latin in high school, and knowing the ancient Romans probably didn’t know what “celluloid” meant, I was inclined to think maybe he was pulling my leg. (I was right. He told the real story when he was doing a guest stint writing for the DVD Talk horror blog.)

One of the very first things I discovered during my audience with the Lord of Troma is that he suffers no fools. I had a few “fluff” questions prepared, stuff like “who is your favorite villain of all time, and why?” Writers like that one. I figured Lloyd would too, being a creative type. I was wrong. He wouldn’t answer that one, and dismissed a few others like it as stupid questions. I also found out another thing right about this time: I gurgle audibly when surprised. Good to know for next time.

Thankfully, I soon started getting into questions that didn’t irritate Lloyd, and we talked for awhile about independent media and Net Neutrality. I was floored by his answer when I asked him why independent filmmaking was so important: “It’s not. It means absolutely nothing in the grand scheme of things. You have kids starving in Third World countries and they don’t give a damn about movies. Cinema is something useless rich people like all of us here do to entertain ourselves.” I suddenly found myself not caring so much about how bad the BSG ending sucked, and being very thankful for the burrito I had just eaten moments prior.

We talked a great deal about Net Neutrality. “Without Net Neutrality, there would be no Troma. There would be no Critical Hits. You’d only have whatever insipid crap the networks decide to give you this week”. Lloyd asked that we link to his Youtube video on the subject, which we’re more than happy to do. The Internets would suck without this.

Probably the single most surprising thing I learned about Lloyd Kaufman is that he doesn’t think his movies are as funny as you probably do. To him, each is “real filmmaking” with a political message. Yes, I thought he was kidding at first, too. His tone convinced me otherwise. That and him calling Inception a piece of crap movie full of plot holes. Them’s fightin’ words, Mr. Kaufman. But who am I to say what a work doesn’t represent? Is art not subjective? Is this less effective than starving some poor attractive vegan celebrity and having them sit naked in a cage for PETA? I’m just a blogger. I’m not equipped for this. (I do, however, ponder the political ramifications of Teenage Catgirls In Heat.)

We wrapped up the interview by talking about some of Troma’s upcoming work. The big news is that the Toxic Avenger is getting remade, big budget style, and he dropped all sorts of names like Tom Cruise and Megan Fox. That was all neat and everything, but I forgot every other detail when he said Justin Bieber was going to play the kid who gets his head smashed under a car. I’m praying he wasn’t kidding. I will weep openly. The film isn’t getting made by Troma, they’re “just accepting a big check”. Despite taking some recent heat over the remake, Lloyd was surprisingly not too concerned with whether they keep the political message of the original intact – his movie would stand on its own for all time.

In the end, I’m honestly still a little befuddled. I can’t decide if he was messing with me or not. Either way, the man marches to the beat of a hideously deformed monster drum with superhuman size and strength, and I very much want to be like him when I grow up.

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San Diego Comic-Con 2010 Sunday

Fulfillment Room

Our first stop of the morning was the fulfillment room, where you go to pick up swag using tickets they give out at panels. I ended up with a leather Spartacus: Gods of the Arena armband, a Thor t-shirt, and a Cowboys and Aliens t-shirt.

11:00 Archaia: Jim Henson

I actually caught only the tail end of this panel. We were going into the room for the next one, but we did hit a major announcement: Archaia will be developing one of Jim Henson’s scripts they found in the Henson Company archives. Nobody even knew about it outside the Henson Company. It’s called “A Tale of Sand,” and it’s from the beginning of Jim’s career. He was working on it from the early sixties to the early seventies. It’s very existential, and shows Jim struggling with ideas that would shape his later career. They’ll be turning it into a graphic novel to release in summer or fall of 2010. Jim will never get the chance to make the movie he would have made, so they’re presenting it in a different format. Lisa Henson is supervising the process.

12:00 Spotlight on Dennis O’Neil

Denny O’Neil made huge strides in comics with his work on Batman, Green Lantern/Green Arrow, and other titles. This entry will be abbreviated, since my pen died mid-seminar!

Moderator: Scott Peterson

Scott was assistant editor to O’Neil in 1991. He remembers when an A-list painter was in town and they went to dinner. They had a great time till the painter said Denny’s work changed his life. Denny’s midwestern roots won’t let him accept praise, so Peterson really looks forward to this panel.

Peterson got many of his questions from other comic creators.

Q: From Chuck Dixon. Your heroes are human, with failings. Are you just drawn to those types of stories, or did you incorporate that side to make superhero comics more believable?
A: All heroes used to be the same. They had this Midwestern Boy Scout version of virtue. It just seemed natural to add some complications to that.

Q: From Chuck Dixon. When you were doing this, did managers see it as a stunt?
A: I don’t think they really knew what they were doing. They didn’t become aware of it until we started getting a lot of press.

Q: From Paul Levitz: When you were editing Levitz, he learned that his dialogue had a lot of extraneous words in it. Do you think you focused on that sort of thing due to your background in journalism?
A: Working as a reporter is the best training you can have as a writer. It teaches terseness. For comics dialogue, you have to sound colloquial and use 35 words per panel, give or take 10. Theater work also helps, teaching you to write with your ear. I always tell people to read their dialogue aloud after they’ve written it.

Q: You often take things away from your characters, from powers to gadgets. It’s sort of zen. Do you think this has anything to do with your interest in Eastern philosophy?
A: I was aware of it, just barely, back then. I have a formula for superheroes. One, what is this about? Batman was affected by his parents’ murder, Flash runs fast, etc. Two, if this guy really existed, how would he have to be. Gaining powers doesn’t change your nature.

Q: We did a count of editors at DC. There were 40, and 38 were Jewish or Catholic. You were raised a devout Catholic. How do you think that draws people into comics?
A: Louise Simonson says from an early age we’re told fantasy stories on an epic scale, and they’re about good and evil. We learn myths from age 5. It had to have shaped our zeitgeist.

And, sorry, that’s all I’ve got! He later covered stuff like trying to write feminist stories before he really understood what feminism was about (the “Harpies” story from GL/GA, for example).

Exhibit Hall

I went to the exhibit hall for the rest of the day, picking up a few things. I caught one of MC Frontalot’s performances at the Penny Arcade booth. I stayed until the hall closed at 5:00. And that was San Diego Comic-Con 2010 through my eyes!

Complete Comic-Con 2010 Coverage:

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